Author Archives: Charles Coldewey

Dallas College -Richland Campus, Faculty Show 2020

Marian Ichaso de Lefeld Untitled (from the Gran Caracas Series) 2020 Tempera and oil on canvas 68 x 72 inches

 

 

Arienne Lepretre Spring 2020 Graphite on paper, 38 x 50 inches, Drawing `1316,1317,2300

 

 

Joel Murray Affordable Pets in the Night (Thermal Fur Baby 1), 2020 22 x 16 inches

 

 

Joel Murray Oil on panel Before and After Millet, 2020 14 x 12 inches

 

 

Murmuration in White Jennifer Rose, Morean Center for Clay in St Petersburg, FL Media: Porcelain and Stainless Steel 2019

 

 

Jennifer Rose, Flight of the Polychromatic Zooids Media: Colored Porcelain, Stainless Steel, Original music composition by David Thompson video of artwork and music: https://youtu.be/BtkPGLPQphw 2019-2020 “My 15-year exploration of biology began with an interest in the human form and has evolved into studies of invasive environments and underwater creatures. The ocean is fascinating because it is still vastly unexplored. I associate underwater worlds with the subconscious. The zooids are organisms ripe with metaphor because of their colonial animal status. The fact that they are individual clones operating as one animal make them one and many at the same time and prompt philosophical questions about the collective subconscious, hive mind, and cognitive dissonance

 

Brenda McKinney, Deep Below 20 x 18 inches Alcohol Ink on Yupo Paper 2020

 

Vicki Mayhan Bird Map 4 x 6 inches

 

Vicki Mayhan Bird Map 4 x 6 inches

 

Jim Stover, Kiss, Wood, 18 x 18 inches.

 

 

Charles Coldewey, Simplify, Paper Clay, 12 x 12 inches

 

Charles Coldewey, Urban Street, Paper Clay, 12 x 12 inches

 

Melba Northum, Metaphysical Image Sequence 23, Blessing

 

Melba Northum, Metaphysical Image, Sequence 27, Rabbits

 

 

 


PolkaDot Reverie by DizzyOrbit

Droll Blooms
Cotton Yarn, Acrylic Yarn, Plastic, Polyester Fill

 

Charming Atoms
Cotton Yarn, Acrylic Yarn

 

Coltish Cleo
Cotton Yarn, Acrylic Yarn, Rug Grip Sheet

 

Pedal Dame
Cotton Yarn, Acrylic Yarn, Polyester Fabric, Plastic

 

Humble Hox
Polymer Clay, Acrylic Yarn, Rug Grip Sheet

Modest Mote
Polymer Clay, Acrylic Yarn, Metal Rings

 

Meek Mite
Plastic, Cotton Yarn, Acrylic Yarn, Polyester Fill

 

Outlander
Cotton Yarn, Acrylic Yarn

 

Incognito
Cotton Yarn, Acrylic Yarn

 

Gallant Girl
Acrylic Yarn, Cotton Yarn

 

Nimble Biddy
Polyester Yarn, Acrylic Yarn

 

Ord One
Cotton Yarn, Acrylic Paint, Plastic

 

 

Monarch Meddler
Cotton Yarn, Polyester Fill

 

Jester Judy
Cotton Yarn, Acrylic Yarn

 

PolkaDot Dictator
Cotton Yarn, Plastic, Acrylic Yarn, Silk Fabric

 

Tact Tripper
Acrylic Yarn, Cotton Yarn, Rug Grip Sheet

 

Wild Waif
Cotton Yarn, Acrylic Yarn, Polyester Fill

 

Rookie Parasite
Acrylic Yarn, Cotton Yarn

 

Sunshine Miles
Cotton Yarn, Acrylic Yarn, Rug Grip Sheet

 

Poppy Polyester Yarn, Cotton Yarn


From What I Remember by Lisa Cunningham

Black Sky
Oil on Canvas
48″ x 48″

 

Mesa
Acrylic on Canvas
36″ x 48″

 

Big Sky,
Acrylic on Canvas,
48″ x 48″

 

285 North,
Acrylic on Canvas
30″ x 40″

 

Old Woman, Grey Rocks,
Cold Wax, Oil, Paper on Wood Panels,
54″ x 36″

 

Trouble,
Cold Wax, Oil, Paper on Wood Panel
20″ x 24″

 

Santa Fe Winter,
Acrylic on Canvas,
24″ x 48″

 

Distance,
Cold Wax, Oil, Paper on Wood Panel,
20″ x 24″

 

Virga,
Cold Wax, Oil, Paper on Wood Panel
20″ x 24″

 

White Sands
Acrylic on Canvas
36″ x 48″

 

Storm,
Acrylic on Canvas,
36″ x 48″

 

 

 


Finding Light by Kate Enoire

Artist’s Statement

My work is meant as a poem, oftentimes to pay homage to things that I find. I am interested in things that are remnants of life. Everyday domestic objects also interest me, as well as exploring the feminine relationship with expectations and allegory. Sometimes there is an implication of fable in my work, however it is not my intention to commit the viewer to a conspicuous plot.

– Kate Enorie

Kate is a Richland Photography Student.  Kate’s work and creativity is a result of her involvement in the Photographic Independent Study Class.

 

Box of Dandelions

Box of Dandelions

 

Flower

Flower

 

Skulls and Water

Skulls and Water

 

Nest

Nest

 

Nest of Silver

Nest of Silver

 

South of the Salton Sea

South of the Salton Sea

 

Bird Skull and String

Bird Skull and String

 

Lightbulb Apocalypse

Lightbulb Apocalypse

 

Round Stock Tongs

Round Stock Tongs

 

Scissors

Scissors

 

Self-Portrait

Self-Portrait

 

Hands

Hands

 

Untitled

Untitled

 

Leaves

Leaves

 

Waiting

Waiting

 

Spoon

Spoon

 

od

Ginkgo on Pearlstone-Wood

 

Leaf

Leaf

 

Selling

 

 

 

 

 

 

 

 

 

 

 

 

 


Social Distancing, Richland Art Faculty Online Show

Richland Art faculty are keeping busy doing what we do—making art. But during this time of social distancing and self-isolating it doesn’t matter if our work is a response to the whole virus thing or what each of us was already exploring; and it doesn’t matter if the work is finished, complete or in a state of progress. In fact, more instructional to our students is how we are coping and creating, showing them the whole process as we go. We just need to make Art.

Joel Murray, Pettibon Voyage Watercolor and Gouache on Paper, 5″ x 7″

Jen Rose, Untitled, Porcelain, Installation

Jen Rose, Untitled, Porcelain, Installation

Penny Bisbee, Art Park Overlook, Watercolor

 

Penny Bisbee, Highway Sunrise Olney, Watercolor

 

Penny Bisbee, Birds Over Mesquites, Watercolor

 

Penny Bisbee, Storm Clouds, Watercolor

Melba Northum, Face Mask, Porcelain and Elastic, 2020

Melba Northum, Whale, Porcelain

Melba Northum, Iceberg, Porcelain

Melba Northum, Sogetsu Ikebana, Porcelain

Marian Lefeld, Untitled, Oil on Canvas

Keith Williams, Green Swan, Oil on Canvas, 24″ x 36″

Juan Negroni Vazquez, El Colmo, Collage

Jim Stover, Jeremia, Wood, 6″ x 18″

Jim Stover, Jeremia 2, Wood, 6″ x 18″

Jim Stover, Jeremia 3, Wood, 6″ x 14″

Jim Stover, Jeremia, Wood, 6″ x 12″

Jim Stover, Jeremia 5, Wood, 6″ x 18″

Brenda McKinney, Under The Sea, Alcohol Ink on Paper, 11″ x 14″

Brenda McKinney, Blue River, Alcohol Ink on Paper, 11″ x 8″

Arienne Lepretre, Armchair Stories, Drawing on Chalkboard Paint with Collage, 12″ x 12″

Arienne Lepretre, Armchair Stories, Drawing on Chalkboard Paint Collage, 12″ x 12″

Arienne Lepretre, Social Distancing, Collage on Canvas, 9″ x 12″

Arienne Lepretre, Social Distance, Mixed Media on Paper, 12″ x 12″

Arienne Lepretre, Stories In The Time of Corona, Work on Paper, 12″ x 12″

Charles Coldewey, Sunny Bunny, Ceramic, 19″ x 6″ x 6″

Trayc Claybrook, Here If You Need Me, Mixed Media, 48″ x 36″

Emily LaCour, All Kinds of Sideways, Powdered Graphite and Ultramarine Blue Acrylic, (Mixed with Matte Medium) on Panel, 18″ x 24″

 

 

 

 

 

 

 

 

 

 

 


You, Them, They, We! by Rob J Phillips

A visual commentary examining
American Culture in the context
of a variety of contemporary
sociopolitical questions.

Where will we be tomorrow considering the irrepressible tumult stifling the voices of
peace? Is social accord an experience that will remain only as fiction, destined to be
banned in some totalitarian future America as discordant political rhetoric promotes
ideals of exclusion…is this is the State of the Union? Status quo defect is ad nostrum
verum est; the status quo failures are ours to correct. Abject insularity is a keystone
ideal facilitating deeper divides in the experiment we call America.

– Rob J Phillips

 

Brazos Gallery Crockett Hall C140. February 17 – March 06, 2020

Reception March 03, 11- 12

Presented by Richland College, DCCCD

 


MADE IN AMERICA, A PORTRAIT OF A CITY, Riley Holloway

Artist Statement

My work begins with the individual. I’ve always been an observer of people and run into individuals who inspire me through their fashion, personality, or conversation. I am for creating pieces that are rich in storytelling, free from constraints, and true to the person I’m painting. This is accomplished by letting the individual’s narrative drive my work. I use traditional drawing and oil painting techniques to communicate the qualities of each individual.